Yesterday I took a piece I'd started on a while back and had given up on because it was so awful. I had decided to work on an old canvas so I painted over the old painting with a mixture of palette mud and pumice, thinking I might draw with pastels rather than paint. Then I changed my mind and decided to paint, but my goodness! The canvas was horrific. It was like trying to drag a brush through dry sand. I couldn't get it to work on teh canvas. It was terrible. Despite that, I was pretty determined so I perservered, but I just couldn't get the painting to work. It is a gorgous portrait of Valley, the model I've been collaborating with for the upcoming show Artists and Writers at Randolph Macon (opening Feb 20), and I love the image, so I was excited to do the painting. I started using the method Rob had taught me, loosely, lightly, using Galkyd for glaze. That stuff REALLY didn't like the surface I'd created! Also, in choosing to work lightly and loosely, I went at the face with an approximation of how it should look, not being persnickety and exacting, figuring I would go back into it and refine it later. That is NOT a good way to do a face!
Quite discouraged, I painted over her face and put the canvas aside for a couple of months. My son and husband kept coming out to the studio though and commenting on the piece and saying they really liked her hair and her bathing suit and that I should work on it some more. NO. Too discouraged.
Until Monday night when I was trying to figure out what to take to DC the next day. My printer is totally wrecked so I can't print out any photos right now, so I had to work on something I already had a photo for. I decided to be bold and brave and to try working on this picture again.
I managed to make some very good progress on her face and came home feeling like perhaps it wasn't a completely lost cause.
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