Showing posts with label follow your bliss. Show all posts
Showing posts with label follow your bliss. Show all posts

Wednesday, May 8, 2013

May 15th evening Zendoodle class at my studio, other summer classes

I'll be offering many, many, many classes in the following months.  Here's a list of them in case you're interested.  All classes take place in Richmond, VA.  You can email me at SusanSingerArt at msn.com if you'd like more information, or take a look at my website at www.susansinger.com  for details about the classes.

Here's the one coming up next:  a special evening class of Zendoodles for all those of you who can't make daytime or weekend classes!  Come take time from your busy schedule to learn the joy of Zendoodles!  I'll teach you the fundamentals of Zendoodles as well as lots of patterns to increase your doodling repetoire.  It's a simple, fun, addictive form of creativity which anyone can doWednesday, May 15, 6:30 - 9:30 PM, at my studio, $35.  Contact me at SusanSingerArt@msn.com to sign up.
 

Drawing
Beginning Drawing - Mondays, June 24 - August 12, (no class July 15), 8 weeks, $240, at Crossroads Art Center, contact me to sign up.  


Intermediate Drawing
- Tuesdays, April 2 - May 28, 8 weeks (no class 4/9), $240, at my studio.  Open to all who have had Beginning Drawing or commensurate experience, contact me to sign up


Drawing Fundamentals Intensive
- another new class for me - Beginning Drawing all in a week!  Monday, June 17 - Friday, June 21; 9:30 - 12:30; at the Visual Arts Center, sign up at www.visarts.org



Zendoodles
Zendoodles for Parent and Child
- a new class, by special request - Zendoodles with a special emphasis on kids and their parents.  We'll do some special projects for them to work together as well as teach many of the wonderful, fun patterns which make Zendoodles so special!  Saturday, May 18, 10-2; $75 for parent and child together; at my studio; bring a lunch; contact me to sign up. 


Zendoodles - the regular class for adults (and kids accompanied by an adult if desired!), Saturday, August 3, 10-2; at the Visual Arts Center, sign up at www.visarts.org



Pastels
Intro to Pastels - Wednesdays, June 5 - July 10, 6 weeks, 6:30 - 9 PM, at the Visual Arts Center, sign up at www.visarts.org
 

Intermediate Pastels - ongoing, Monday afternoons from 1-3:30 at my studio, $30/session.  Minimum 3 students/class; Max 6.  Call ahead to register. OR Wednesdays, July 24 - August 28, 6 weeks, 6:30 - 9 PM, at the Visual Arts Center, sign up at www.visarts.org

Creativity
Follow Your Bliss - a class designed to help you learn what it is you LOVE to do, to figure out what might be stopping you from doing it, to support you in doing it with vitality and joy, Mondays, July 8 - August 26, 8 weeks, 6:30 - 9 PM, at the Visual Arts Center, sign up at www.visarts.org


 
Watercolor
 Watercolor Painting in the Garden - class held at Lewis Ginter Botanical Garden; sign up at www.visarts.org
Monday, June 10, 10-4, OR
Saturday, July 27, 10-4




Monday, March 11, 2013

Art Classes in Richmond, VA for Spring and Summer

I'll be offering many, many, many classes in the following months.  Here's a list of them in case you're interested.  All classes take place in Richmond, VA.  You can email me at SusanSingerArt at msn.com if you'd like more information, or take a look at my website at www.susansinger.com  for details about the classes.
 

Drawing
Beginning Drawing - Mondays, April 8 - May 20, 7 weeks, $210, at Crossroads Art Center, contact me to sign up.  Most likely I'll offer another Beginning Drawing class in the summer, but the dates haven't been set yet.  Contact me if you're interested.

Intermediate Drawing
- Tuesdays, April 2 - May 28, 8 weeks (no class 4/9), $240, at my studio.  Open to all who have had Beginning Drawing or commensurate experience, contact me to sign up;  most likely I'll offer another Intermediate class in the summer, but I haven't set the dates yet.  Contact me if you're interested.
Drawing Fundamentals Intensive
- another new class for me - Beginning Drawing all in a week!  Monday, June 17 - Friday, June 21; 9:30 - 12:30; at the Visual Arts Center, sign up at www.visarts.org



Zendoodles
Zendoodles for Parent and Child
- a new class, by special request - Zendoodles with a special emphasis on kids and their parents.  We'll do some special projects for them to work together as well as teach many of the wonderful, fun patterns which make Zendoodles so special!  Saturday, May 18, 10-2; $75 for parent and child together; at my studio; bring a lunch; contact me to sign up. 

Zendoodles - the regular class for adults (and kids accompanied by an adult), Saturday, August 3, 10-2; at the Visual Arts Center, sign up at www.visarts.org


Pastels
Intro to Pastels - Wednesdays, June 5 - July 10, 6 weeks, 6:30 - 9 PM, at the Visual Arts Center, sign up at www.visarts.org
Intermediate Pastels -
ongoing, Monday afternoons from 1-3:30 at my studio, $30/session.  Minimum 3 students/class; Max 6.  Call ahead to register. OR Wednesdays, July 24 - August 28, 6 weeks, 6:30 - 9 PM, at the Visual Arts Center, sign up at www.visarts.org

Pastel Intensive
- Friday, April 5 6:30 - 9; Saturday, April 6, 10-4; Sunday, April 7, 1-4.  At Visual Arts Center and en plein aire (probably at the river); a chance to spend the weekend doing art!  Sign up at www.visarts.org
 

Creativity
 Take a Visual Journal to Your Soul - We'll spend a weekend making an extraordinary 64 page bound journal, then will meet 6 Thursdays to fill the journal with art, musings, dreams, thoughts - whatever you'd like.  Classes will offer opportunity to learn art skills; explore personally and spiritually; play, etc.  Saturday, April 13, 10-4; Sunday, April 14, 1-5; Thursdays April 18 - May 30 (no class April 25 - I'll be at Tech Rehearsal for the Vagina Monologues!); $275 + $25 for materials; at my studio; contact me to sign up
Follow Your Bliss - a class designed to help you learn what it is you LOVE to do, to figure out what might be stopping you from doing it, to support you in doing it with vitality and joy, Mondays, July 8 - August 26, 8 weeks, 6:30 - 9 PM, at the Visual Arts Center, sign up at www.visarts.org



 
Watercolor
 Watercolor Painting in the Garden - class held at Lewis Ginter Botanical Garden; sign up at www.visarts.orgTuesday, April 9, 10-4 OR
Saturday, April 20, 10-4 OR
Monday, June 10, 10-4, OR
Saturday, July 27, 10-4





Wednesday, October 3, 2012

Spirograph on steroids

A few weeks ago I saw Nancy Blum's artwork at Reynolds Gallery here in Richmond.  I am crazy about her work - it's huge scale pictures of gorgeously graphic flowers with patterns abounding!  It struck a chord in me, and I would have bought several if I'd had the necessary $45K each!  They're wonderful.  I was tickled to notice that she uses Spirograph images behind the work, just barely, tantalizingly noticeable.  I asked her about it and she confirmed that that is what she does.  It's her first step.

I have always loved Spirographs!  As a kid, it was one of my favorite toys.  I would sit for hours playing with it.  So I decided to get myself one!  I'd seen a set at Barnes and Noble one day but hadn't bought it then.  I went back and got it the day after the show.  Sadly, disappointingly, it just wasn't any good.  Darn!  There were too few gears, no pins, no pens, nada, nothin'!  I took it back.  I looked online to see what was up.  Apparently I'm not the only fan!  On eBay and Amazon.com I found lots of comments about various versions of Spirograph and found that only the original Spirograph is super-cool.  Eventually Kenner had to use magnets rather than pins to hold the wheels in place - so toddlers don't swallow the pins, I guess - and other modifications that took away from the super-cool factor.  I looked through what was available.  Sticker shock kicked in immediately.  $75 was a cheap one!  Yikes!  I didn't do anything for a couple of days then I decided it was worth it to me, so I held my breath and ordered one.  I figured it was about the cost of a really  nice dinner on the town with Chris, and I'd enjoy this for a lot longer!

And boy, have I!  I've already spent 10-12 hours playing!  There's an instruction booklet that comes with it to show different patterns a person can make.  As an adult I can appreciate the complexity of the mathematics involved in it.  I do not remember understanding anything about it as a kid.  I'm pretty sure I didn't look at the booklet - I think I just dove in and played.  What I'm learning is that there are ways to line up the wheels inside the larger wheels to make the patterns vary.  There are so many possibilities!  I decided to take a very nerdy approach to it and am going through everything systematically to figure out which wheels do what.  

Here are a couple of designs I did following the instructions in the booklet.  I went inside the wheel and outside the wheel and used several different gears on the left hand one.  The right hand one is using the elongated bar, believe it or not!, and turning it 45 degrees each time with each different color. 
fig 1.
fig 2.



fig 4
fig 3
 After going through all the ones in the booklet, I started my own studies to see if i could discern the math and logic behind the system.  The notations connote which wheel and gear I used and how I lined each up on the other.  I had a really good time changing colors and sizes and holes, etc., to see what effect it would have.  I still haven't finished going through all the different sized gears.  I'm about 1/2 way through.  
fig 5
fig 6
Figure 6 shows what happens when I pinned the smallest gear down and used larger gears to go around it.  Fig 7 is more of those.  They remind me of geodesic domes or Celtic knots somehow.  I have so much fun saying "I wonder what will happen if I..." then trying it out! 

fig 7
Sometimes I berate myself a tad bit and think I should be painting or doing something serious, but I am having so much fun and am so absorbed in what I'm doing that I can only figure it is leading somewhere interesting.  I want to incorporate these into my paintings and drawings.  This morning I dreamt very clearly of a drawing of a figure with a spirographed image over top of it.  I plan to work on doing it tomorrow in figure drawing session.  I'm very excited to see if I can capture what I saw in my dream.  It was very clear there.

Now I want to figure out how to make the designs larger.  I think I'm limited by how large the plastic wheels are.  I wonder if there are other things I can use for wheels to make these designs.  I can't think of anything, but I figure a trip to the hardware store is in order to see what they might have there.  You never know!

It's delightful giving myself permission to play like I have been lately.  It makes me feel so happy.  I feel like the luckiest woman on earth.  I get to do what a love for a living.  I get to teach people who are excited about learning to do what I love to do.  And I get to play all day, asking, "I wonder what would happen if I..." then find out!  What a life!!






Monday, May 7, 2012

Books which have helped me Follow My Bliss

In preparing to teach my Follow Your Bliss class at the Visual Arts Center of Richmond, I prepared a list of books I've found helpful to me as I've worked to do exactly what I feel led to do in the world and to make a living doing it.  I thought it might be a good thing to share.  I'm sure there are many other books I could include, but this is all I have in the studio right now!


Freeing the Creative Spirit: Drawing on the Power of Art to Tap the Magic and Wisdom Within by Adriana Diaz
The Artist’s Way by Julia Cameron
Walking in This World: The Practical Art of Creativity by Julia Cameron
I Could Do Anything if I only knew what it was by Barbara Sher with Barbara Smith
The Purpose of Your Life Experiential Guide: The Proven Program to Help You Find Your Reason for Being by Carol Adrienne
Living in the Light by Shakti Gawain
Creative Visualization by Shakti Gawain
Free Play: Improvisation in Life and Art by Stephen Nachmanovitch
Finding Flow: The Psychology of Engagement with Everyday Life by Mihaly Csikszentmihalyi
Bird by Bird: Some Instructions of Writing and Life by Anne Lamott
Writing down the Bones: Freeing the Writer Within by Natalie Goldberg
True Work: The Sacred Dimension of Earning a Living by Justine Willis Toms and Michael Toms
Marry Your Muse: Making a Lasting commitment to your Creativity by Ian Phillips
Trust the Process: An Artist’s Guide to Letting Go by Shaun McNiff

Two others a friend just recommended:
Do What You Love, the Money Will Follow: Discovering Your Right Livelihood by Marsha Sinetar
Also What Color is Your Parachute?

Thursday, March 22, 2012

Learning to Follow My Bliss

I've begun to notice that art is beginning to feel suspiciously like a job, something I have to do, not something I feel compelled to do out of desire and excitement and curiosity and all those other good things.  I quit my tutoring job in January 2011 so I could follow my bliss and offer the world (and myself) a vision of such joy and contentment.

Taking on Beyond Barbie along with Not Barbie (the art show) at the same time was daunting, to say the least, and I think it got me into Accomplishment Mode.  I had to DO many, many, many things each day, and I think I began to lose the excitement and curiosity and joy which led me to turn to art full time in the first place.  I tend to be very driven when I have a goal, and my drive kicked into overtime for the aforementioned tasks.  They turned out fantastically, and I'm very glad I took them on, but now that they're over (I took down the show in Williamsburg last Saturday and don't have any shows lined up for the foreseeable future), I'm taking some time to re-assess and to think about where I'm headed.  I don't want to act out of compulsion or unconscious drive.  I want to live fully conscious.  When I stop for a moment, I notice I haven't been fully blissful lately - not that that's possible, I know, but it's worse that than - I've been pushing, pushing, pushing, and it has hurt.

On vacation at the beach, I remembered what it was to wake up excited about creating and to rush to the easel because I couldn't stand not to!  I wanted to capture what I saw.  It was captivating and fun!  First time I'd had fun in a while.  Instead I'd been coming out to the studio and getting to work on paintings I wasn't feeling fully invested in, doing them out of a sense of duty and "should".  I was doing them with skill but not with passion.  I always promised myself I wouldn't do that. 

When we got home from the beach, Chris and I took some time to consider the next part of our lives.  Where do we want to live?  How do we want to live?  Can we lead spirit-filled, joyful lives full of creativity and whimsy and delight?  I sure hope so!

This week I've been meditating most days to try to tap into my inner knowing and to give myself a chance to slow down and consider what is itching to be expressed.  We went to the Lewis Ginter Botanical Gardens on Sunday just for something fun to do, and I couldn't wait to get back Monday to paint and draw the beauty I'd seen there.  That day was a no-brainer!  I'll post the pictures in tomorrow's blog.

The rest of this week, I've had meetings to attend and classes to teach, but I've tried to stay centered in joy.  I've let myself rest when I was tired.  I've taken breaks.  I've stopped working at reasonable times.  I've listened in to learn what I wanted to do and haven't guilted myself for doing it!  And - no surprise here - I've had a lovely week.  I feel invigorated and excited about today and looking forward to tomorrow.  What a fabulous shift.

I hope I can remember the next time I'm feeling driven and burned out - STOP.  Breathe.  Listen to my still quiet voice inside.  And do what it says.  Sniff out whimsy.  Follow my bliss.  Get curious.  And have fun!

(Oh yeah, one of my main prompts for figuring this out is that I'll be teaching a class called Learning to Follow Your Bliss at the Visual Arts Center starting Monday, and I figured I needed to be less than cynical when I do!  Now I feel rejuvenated and like I understand the concept again.  yay!)

Thursday, December 2, 2010

Elation and Anxiety - it's a mixed bag right now.

So this morning, as each morning the last few days, I woke up feeling a mixture of elation and anxiety.  I'M GOING TO DO MY ART FULL TIME!!!!!  YIPPEE!

Oh, crap - I'm going to be doing my art full time!  What am I thinking???!!!

It's a mixed bag.

Sunday night I informed the parents of my students that I will be leaving tutoring to pursue my passion in art.  Monday and Tuesday and today I've been telling my students individually.  Monday I wrote an email to the faculty at the school where I work to let them know of my decision.  It is becoming very real and irreversible the more people I tell.  It's one thing to tell people with shiny eyes that I'm going to be a full time artist when they're standing in the gallery at my exhibit.  It's quite another when I'm informing the people who have been financially supporting me for 23 years.  Yikes!

The reactions have been almost universally kind and enthusiastic and supportive.  (Or nonexistent!  Those are the disconcerting ones!)

The parents of my students were generally very kind, though sad that I wouldn't be working with their children anymore.  One mother was so kind - she said there were a lot of feelings in their household that night - happy for me, sad for them.  Her daughter came to school Monday - I asked her if she hated me.  She gestured her hand, "Maybe yes, maybe no.  Some."  I understand.  I was working with a therapist once who decided to stop being a therapist so she could travel the world.  I was devastated because she was a fantastic therapist and I was getting so much out of our work together.  She was really good at letting me have my feelings about the separation and loss - that was good work too!  I sense that a couple of my students might be experiencing some of that.

Others, the boys for the most part, hear that I'm leaving, say "Oh, OK,"  then open their math books without a question or any other expression.  I find that disconcerting.  My ego wants to be acknowledged as at least a tiny bit significant in their lives since I've spent countless hours one-on-one with them giving them undivided attention and help.  My more mature side realizes that they may be having feelings but not be able to express them.  I also realize that I am a commodity to them - someone who teaches them what they need to know so they can do what they need to do.  I am replaceable.  I don't think anyone really wants to feel replaceable.  I know I don't really like the feeling.  I also know that I have helped them.  They might not remember me when they're 30 years old, but hopefully they'll remember how it felt to be listened to carefully and patiently, to have information explained in a way that is clear and simple and understandable.

There are a few people who might be able to take on my students.  When one of the administrators told me about one of the women, I started to feel very territorial!  Yes, I am leaving of my own accord. Yes, I want to do something else.  But I've built up this clientele over the last 20 years and now I'm going to just hand it over to someone else who hasn't???!  What am I thinking???!!  Then I remember when I started working for the agency which employed me for 10 years.  I couldn't believe anyone would ever leave that job because it was such a great job, but he did, and it gave me a chance to be able to support my family AND be home with my kids for their entire youth.  It was a huge gift.  And now it's time for me to move on and to pass on the gift.

It's very strange to think about leaving tutoring.  I've been doing it since college.  I did volunteer GED tutoring there for a young man.  Then I taught German for 2 years in Vienna, Austria, then came back to the US because I was pregnant and I wanted to give birth in English, even though my German is fluent.  When my baby was 6 weeks old, I began tutoring a couple of neighborhood kids while I was nursing my son.  That eventually became a very solid, very lucrative part time job for a local tutoring agency where I stayed for over 10 years - not the nursing my son part - just the tutoring!  I got past multi-tasking like that pretty quickly!  At one point I took a full time job at a private school because my uncle counseled me strongly to get a job with benefits so I could responsibly raise my kids.  It was not a good fit for me, but I'm glad I was there.  One of my dear friends works there so I got to see her frequently, and the school paid for most of my Masters in Art.  It was while I was working there that I began drawing and learned that I have some ability in that area.

To give an example of how poorly I fit in there, I designed a class I thought I'd like to teach called "Follow Your Bliss."  It was meant to help kids discover their passion and learn what they'd like to do with their lives.  Such a class would have revolutionized my life if I'd had one at a formative age.  It would have helped me see there are options I'd had no idea about.  When I presented the class proposal to the committee in charge of making such decisions, one of the administrators asked me, "But how could we justify giving credit for a class like this?"  Case closed.  Such a lack of attention to the children's souls horrified me, and I left at the end of that year. 

I was planning to do art full time at that point, but it was not to be.  I didn't have a well thought-out plan or a strategy for earning enough money.  I enjoyed the summer with the kids, then, just as I was getting ready to gear up to earn enough, my youngest became very sick and needed an emergency operation and 6 weeks in the Children's Hospital to re-learn how to walk, etc.  I cared for him pretty much full time for that period then began tutoring a tiny bit at a different private school.  That tutoring turned into 20 hours/week more or less for the next 9 years, up until now.  It has been a fantastic job.  I love teaching.  I love working one-on-one with kids.  I love it when the tutoring mixes in with "therapy" - i.e. when the student and I talk about real life and things that really matter to them.  Those moments make my heart sing and my eyes tear up.  There have been a lot of those over the years.  They're sweet.

But I've realized that I need to be working on my art now more than I have time to do if I'm tutoring 3 days/week.  There is so much I want to do.  It's not just painting.  I want to talk to people about women's body image, about how the media portrays women and influences us to hate how we and others look.  I want to write a book about it.  I want to teach classes in Nude Self-Portraiture and Follow Your Bliss and all sorts of great stuff.  I want to lead workshops.  AND I want to show my work in galleries and museums.  AND I want to sell my art and have it in major collections across the globe.  I want people to get what I'm saying and be moved by it.  I want those real conversations I had with the kids to be the stuff my life is made of.  I think that will happen if I follow this passion and share it with others. 

So this morning when I woke up with some anxiety, I did my Morning Pages (see Julia Cameron's The Artist's Way if you don't know what I'm talking about) and told God I need some very concrete signs to show me if I'm doing the right thing.  I started contemplating whether or not I should keep my 4 calculus students since they might not be able to find another tutor and it would mean steady income.  At that moment, my pen ran out of ink!  I've decided that was Sign #1.

During my free period, I went to talk to the counselor at school who asked me about giving a talk about women's body image to the girls (and their mothers?) at school sometime.  Sign #2.

At lunch today at school several of the teachers came up to me and congratulated me on my decision and asked me about it.  The art teacher told me about ArtNews this month which has an article about women painting men and how that hasn't been acceptable though men have been painting women forever.  The teacher also asked me to talk to her classes about my work and said I should be in ArtNews with my work.  Sign #3.

One of the teachers is buying something from me, thus providing me with a bit of income.  Sign #4.

When I got home, another of the teachers had sent me the most wonderful card congratulating me on my decision and wishing me well.  Incredibly kind!  Sign #5.

And I got a letter from a local co-op gallery, a highly respected one, telling me "the members of XYZ value the work you are doing and would like you to consider joining our member-supported gallery." Sign #6.

I love it when God answers my requests (sometimes demands) for assurance like this!  It's so much fun!  And it helps me begin to feel safer when I'm doing something so darn exciting!

I'm so looking forward to this shift.  I know it's going to be exciting.  I know it's right.  I know God will provide me with sufficient income to allow me to do this important work.  I just have to put one foot in front of the other and do the next right thing that occurs to me.  That's how dreams come true.

Tuesday, November 30, 2010

Huge news!

Yesterday was a huge day.  After taking down Sacred Flesh after its two month run, I came home and wrote letters to my tutoring students to share with them my big news!

I've been working towards this decision for about a year now, though the desire has been with me for longer.  Chris and I have discussed it up and down and inside and out for quite some time.  In fact, one of the things that helped me fall in love with him is that he said he wanted me to be able to do this.

And now it's actually happening:  as of December 16, 2010, I will be working full time to actualize my vision of shifting people's perception of their and others bodies.  I will work to eradicate judgment about and prejudice towards certain characteristics.  I will help people find the beauty in their own form.  I will continue to paint images of women's bodies in all shapes and sizes.  I will continue to teach people for whom art has become a calling.  I will lead workshops and give lectures.  I will write books and publish articles.  I will give lectures about women's bodies and the gross misperceptions of beauty.
  I will lead the charge towards a kinder, gentler, attitude towards all people's appearances.  I will live life fully, boldly, following my heart and leadings each and every day!

Watch out, World!  Here I come!!!