Indeed. I have to hope she doesn't make it to Richmond to one of my exhibits!
Here's the link to the full article in case you're interested.
The Gauguin exhibition continues at Washington's National Gallery until 5 June 2011
And here's information from Heilbrunn's Timeline of Art History about the piece:
Two Tahitian Women, 1899
Paul Gauguin (French, 1848–1903)
Oil on canvas
Source:Paul Gauguin: Two Tahitian Women (49.58.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Paul Gauguin (French, 1848–1903)
Oil on canvas
37 x 28 1/2 in. (94 x 72.4 cm)
Signed and dated (lower left): 99 / PGauguin
Gift of William Church Osborn, 1949 (49.58.1)
Signed and dated (lower left): 99 / PGauguin
Gift of William Church Osborn, 1949 (49.58.1)
Before Gauguin brought his work in Tahiti to a close, he shifted from his symbolist pictorial agenda in order to focus on the beauty and serene virtues of the native women. In this painting, he depended on sculpturally modeled forms, gesture, and facial expression to vivify the sentiments he had used to describe the "Tahitian Eve": "very subtle, very knowing in her naïveté" and at the same time "still capable of walking around naked without shame." These two figures first appear in the artist's monumental friezeFaa Iheihe (Tahitian Pastoral)of 1898 (Tate, London) and again in the even largerRupe, Rupeof 1899 (Pushkin Museum of Fine Arts, Moscow), which he composed for the upcoming Exposition Universelle of 1900.
Source:Paul Gauguin: Two Tahitian Women (49.58.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
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