Showing posts with label Anne Truitt. Show all posts
Showing posts with label Anne Truitt. Show all posts

Wednesday, January 20, 2010

Anne Truitt, Part II

Yesterday I wrote about the sculptor Anne Truitt and included some of her quotes which have inspired me.  Here are more of them...   

  "I am human; nothing human is alien to me. I was fired by this concept: the entire range of human experience is available to every single human being.

     "What [this] added up to for me was a decision to try to experience as much as I could with as open a mind as I could, in the hope that if I did so my desire to 'know God,' to understand 'the meaning of life,' might perhaps come to some result. At the least, I would undertake to lead a life as properly aligned as I could make it."
     When I go into the studio, or when I go to tutor, I try to remember to say a prayer to ask God to help me channel him in everything I say and do.  I want my artwork to be a direct expression of his love and creativity.  I want the words that come out of my mouth when I teach to be directly from him and ones that will help my students learn exactly what is right for them at that given moment.  I do my best teaching, my best painting, and my best partnering when I remember to get out of the way.


     "I walk around these sculptures (in her retrospective exhibit in 1991) in my mind and consider their existence. They look so objective. Yet each one sprang from the very core of my subjectivity. I see in them no trace of the hours and hours of intense labor by way of which they were made. People sometimes ask me if I feel as if my sculptures were my children. I do not. The love I feel for my children is unique in my experience. Nothing is comparable. But it occurs to me this morning that they too are transformations of secret, silent resources similar to those out of which these sculptures emerged." Looking at her sculptures, a person might think they were completely analytical pieces, devoid of feelings because they are so smooth and pure. I am fascinated to learn how much intensity is behind them. I have a feeling that's true of most artist's work - no matter how simple they look, they most likely contain all the intensity the artist could hold at the time. When I paint, sometimes the intensity comes through very clearly, like Dancing Woman. I was feeling a lot of feelings when I painted the final layer of it, and I think that is visible on the canvas. Other pieces have just as much intensity, but it is quieter and isn't as obvious.

     I love what she writes about teaching. She was a University professor for many years. "My faith in this way of teaching has grown over the years. I find that only honesty serves. I can have no hidden agenda, no inordinate urge to impose my influence. I must be open myself if I am to suggest that students open themselves to themselves. And I must use my highest energies.
     "...Teaching is an anxious business. A teacher has such power to damage, and the damage can be so subtle. It is a moral discipline to keep a watch on invidious motivations. On pride, for example, for just in the nature of the relationship between teacher and pupil, the teacher knows more and can dominate, to the detriment of a student's self-respect. A teacher's cruelty - not too strong a word - can be as unconscious as that inflicted by insensitive parents.
     "The finest teaching touches in a student a spring neither teacher nor student could possibly have preconceived. The Latin root of the word 'education' is educere, to lead forth. Teaching may elicit self-knowledge but unless it also leads students into an ever-broadening view of art and life, self-knowledge results only in self-expression."
     When I teach, I do my best to help students discover who they are. I feel like they know best what they need to express. My job is to ask the right questions or to give the right prompts then to listen then to get out of the way so they express what they've discovered. It's a glorious process!

Tuesday, January 19, 2010

Anne Truitt

     This last week I've been reading Prospect, The Journal of an Artist, by Anne Truitt, a sculptor from Washington, DC. who died in 1993.  It's the second book I've read by her, the first being Daybook, The Journal of an Artist.  In each of them she writes about her life, both as an artist and a mother.  In Prospect, she also writes about aging and about having to go into retirement and how sidelined she feels by that. 

     Anne Truitt was a sculptor who created large monolithic sculptures out of wood then painted them to a beautiful luster.  I haven't seen any of them in real life, but here are some pictures of them.  If you Google her, you can see more of them.  Most of the major museums in the country have her work in them.

     What I really appreciate her is the way she expresses herself and the things she writes about creativity and being an artist and a mother and a human being.  Here are some quotes from her that really appeal to me:
      "I've struggled all my life to get maximum meaning in the simplest possible form," she said in an interview with The Washington Post in 1987.
     "When I swept wide brushes over large areas, I felt profoundly attuned to both structure and paint, as if I were doing what I had been born to do."   (I can completely relate to "as if I were doing what I had been born to do."  I feel that way when I'm in the studio painting and creating  or talking with people about my latest series and what I'm trying to convey.)

     "Artists have no choice but to express their lives," Mrs. Truitt wrote. "They have only . . . a choice of process. This process does not change the essential content of their work in art, which can only be their life."   The subject I paint changes, but I'm always, at core, trying to discover more about myself and about the human condition, no matter what I'm depicting.  I want to learn more about how the world really looks.  In re-creating it in 2 dimensions, I come to know it more thoroughly and to understand it better.


     From Prospect: "I learned too that if a concept is sufficiently clear and strong, it magnetizes events.  I had not known that intent was in itself so powerful.  I was amazed by how my way was made smooth."  I find this to be true as well.  When I'm clear about a series I'm working on, as I am about Authentic Flesh, events coincide to make things flow - models come to me to let me photograph them; people get in touch through the internet asking to collaborate; I get extra time off work to paint more; I learn of shows my work would show well in, etc., etc.  It's miraculous the way things come together when I'm clear what I'm trying to accomplish.


"I knew that this work looked odd, that I was in an exalted state of mind, possessed, but the authenticity of my impulse was so strong that it carried all before it.  I remember thinking that no matter what the things I was making looked like, I would make them anyway."  There are people in my life who don't understand why I paint naked people - if I paint so well, why can't I do something pretty that people want to see?  My impulse is so strong that it carries all before it!  No matter what the things I am making look like, I will make them anyway!  Thank you, Anne Truitt, for the words!